COKETOWN
It was a town of red brick, or of brick that would have been red if the
smoke and ashes had allowed it; but, as matters stood it was a town of
unnatural red and black like the painted face of a savage. It was a town
of machinery and tall chimneys, out of which interminable serpents of
smoke trailed themselves for ever and ever, and
never got uncoiled. It had a black canal in it, and a river that ran
purple with ill-smelling dye, and vast piles of building full of windows
where there was a rattling and a trembling all day long, and where the
piston of the steam-engine worked monotonously up and
down, like the head of an elephant in a state of melancholy madness. It
contained several large streets all very like one another, and many small
streets still more like one another, inhabited by people equally like one
another, who all went in and out at the same hours, with the same sound
upon the same pavements, to do the same work, and to whom every day was
the same as yesterday and tomorrow, and every year the counterpart of the
last and the next.
[...] You saw nothing in Coketown but what was severely workful.
If the members of a religious persuasion built a chapel there — as the
members of eighteen religious persuasions had done — they made it a pious
warehouse of red brick, with sometimes (but this only in highly ornamented
examples) a bell in a bird-cage on the top of it. The solitary exception
was the New Church; a stuccoed edifice with a square steeple over the
door, terminating in four short pinnacles like florid wooden legs. All the
public inscriptions in the town were painted alike, in severe characters
of black and white. The jail might have been the infirmary, the infirmary
might have been the jail, the town-hall might have been either, or both,
or anything that appeared to the contrary in the graces of their construction.
Fact, fact, fact, everywhere in the material aspect of
the town ; fact, fact, fact, everywhere in the immaterial. The M'Choakumchild school was all fact, and the school of
design was all fact, and the relations between master and man were all
fact, and everything was fact between the lying-in hospital8 and the
cemetery, and what you couldn't state in figures, or show to be purchaseable in the cheapest market and saleable in
the dearest, was not, and never should be, world without end, Amen.
(from: Charles Dickens, Hard Times, 1854)
ACTIVITIES
1. Read the first
paragraph and jot down information connected with:
- colours
- buildings
- air
- sounds
- actions.
2. This paragraph
contains two similes and a metaphor comparing features of an inanimate world
with features of the natural world.
a. Note down the
similes and metaphor.
b. Consider your
notes and say what the elements of the animate world have got in common. Do you
associate them with a friendly or aggressive, safe or dangerous attitude
towards common people?
3. In the last
sentence of the paragraph, underline the phrase and the adjective which are repeated
more than twice. What are they? What impression/s do they convey? Choose from:
lack of
originality regularity uniformity
precision fear of the unknown
anguish monotony serenity
4. Read the
second paragraph and complete the list in exercise 3 as regards colours and buildings.
5. What is the
most repeated word in this paragraph?
Does this
repetition confirm the impression conveyed by the repetitions in the first paragraph?
(see exercise 5).
What 19th-century
political economic and social doctrine does this word make you think of?
6. Read the
following statements about the passage. Discuss in pairs or groups and decide whether
they are true or false.
Refer back to the
exercises and to the text to support your answers.
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a.
In Dickens' description machinery appears as a dangerous beast with a life of
its own.
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b. Coketown is a depressing place, |
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c. Apart from the smoke from the chimneys, Coketown is a pleasant place to live in. |
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d.
After reading this passage, one is left with an impression of total
uniformity |
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e. Through his
similes and metaphors, Dickens wants to convey the idea that Coketown is inhabited by savage people. |
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f.
In Coketown, the utilitarian view of things brings
about ugliness in the environment and lack of individuality in the
people. |
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g. Through such
a description Dickens attacks the inhumanity of an industrial and
materialistic society.
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1. got uncoiled, lost their twisted shape.
2. dye, industrial colouring
substance.
3. workful,
related to work
4. steeple, bell-tower of a
church.
5. jail, prison. 6. infirmary, hospital.
7. M'Choakumchild, name of
the "utilitarian" school- teacher who believes that knowledge is simply a long list of
facts.
The name may
mean "don't let the child
breathe". 8.
lying-in hospital, maternity hospital.