Textuality » 5BSU Interacting

GSgubin - Listen to
by GSgubin - (2016-10-20)
Up to  5BSU - BROOKLYN. Studying a novelUp to task document list

Colm Tóibín’s interview   

I: How are you?

TC: I’ m good, I’m great.

I: Are you enjoyed the premier?

TC: Yah. Great.

I: What did you first think when you saw the film?

TC: Oh I thought that Nick and John there, have done something interesting because in a time when cinema is ironic and distant they have created something close and emotional and row and the audience could feel and this is something amazing because it doesn’t happen much now and it belongs to an earlier time almost and if you can’t make a **** lost so I thought it was a row emotion and I thought it was very pure without being sentimentally*** and you join in *** were genuine feelings, you didn’t push that and they weren’t too old and too hard anyway push feelings far to * my goal ***and the best register the idea of possibility to pure feelings in art, in cinema.

I: So, I want to know you have ** the novel ended in a very ambiguous place and *** but do you have a sense of what *** that you might share with us?

TC: The only thing I know is that in to my head came a scene 20 years later, someone’s coming along and they are two of the most beautiful kids anyone’s ever seen. And they’ll be Eilis’ kids from America. I haven’t used it yet and I don’t know where I’ll use it, but it’s been in my head for a while. I don’t know where exactly on the beach that was happened. They will be really Italian looking and they won’t look like Irish kids.

I: That is pretty nice. Do you have witch of your books if you were gonna have another book adapting which of them would be or which one would you not want?

TC: I’m working at a novel at the moment.

I: Oh

TC: Set in Ancient Greece

I: Oh really?

TC: It’s something*** I have gotta taken this from this cinema *** it’s something you will work from a visual source like*** yah this is what now I’m working on, it could be wrong, you know people who are working*** is not a dynamic thing*** just stick at the next sentence on your story*** and bad novel before.

I: Yeah, it doesn’t have a neme yet or…

TC: I’m trying to think of a title, but every time I think of one everyone tells me it’s wrong! So I’ll have to think of a good one.

I: Okay, thank you.