Textuality » 4A Interacting
The Renaissance
- Profound change at the end of 15th century.
- EVENTS:
- End of the Wars of the Roses in 1485.
- William Caxton prints his first English text in 1474 à Birth of modern English.
- 1492: Columbus discovers America.
- Globe circumnavigation.
- Copernicus denies the central position of Earth within the universe.
- The world has suddenly changed and expanded à No longer a fixed and stable cosmos.
- Old order of ideas weakened, individuals and society moving away from their medieval beliefs.
- Shift away from an essentially religious world view to an essentially secular world view.
- Dynamic society based on trade and commerce.
- Rediscovery of the classical world of Greece and Rome.
- Age of questions: the world is larger, destruction of the old certainties and theories, reverse of the foundations of morality and religion à Define things again.
- Change à Uncertainty and Restlessness, but also vitality and creative tension.
- Harmony of mind and body necessary.
- Less stable, less confident view of the world.
Political situation in England:
- Consolidation of the Tudor dynasty with the reign of Elizabeth I.
- (1533: Henry VIII declares himself Head of both Church and the State as the Pope doesn't allow him to divorce.)
- (Mary I, "Bloody Mary", brings Catholicism back to England à Hundreds of people are burned as heretics.)
- Elizabeth I:
- Provides political stability.
- Avoids civil wars (between Catholics, Protestants and old and new aristocracy).
- Makes sure that the Church of England remains a Protestant Church à new religious faith and moral attitude.
- Faces serious economic problems.
- Great increase of trade and exploration.
- Birth of scientific learning.
- Flourishing of literary culture.
Literature:
- Inspired by Italian poets and scholars.
- Not religious prospective on life, but individual expression to give the world a meaning.
- Central Theme: clash between individual and social order.
- Focus on the man and his weaknesses, flaws and qualities.
- Reflects the wide range of interests and the new vitality of language.
- DRAMA:
- "University wits": Christopher Marlowe, Robert Greene and Thomas Nashe à New life to classical models.
- Shakespeare: variety and depth, all kinds of sources, deep knowledge of the human heart, portrait of life without imposing a personal prospective.
- POETRY:
- More personal and private than drama, unprecedented peaks of lyricism and beauty.
- Shakespeare's sonnets.
- John Donne and George Herbert = Metaphysical poets.
- (Talk about religion and love in a violent, direct and intellectually complex language.)
- (Use of conceits, metaphors and paradoxes, relationship between the individual, God and the universe).
- (Borrow images from contemporary scientific discoveries and theories.)
- (Wish to expand human horizons.)