Learning Paths » 5A Interacting
Analysis of eveline, Dubliners by james joyce
Eveline's story illustrates the pitfalls of holding onto the past when facing the future. Hers is the first portrait of a female in Dubliners, and it reflects the conflicting pull many women in early twentieth-century Dublin felt between a domestic life rooted in the past and the possibility of a new married life abroad. One moment, Eveline feels happy to leave her hard life, yet at the next moment she worries about fulfilling promises to her dead mother. She grasps the letters she's written to her father and brother, revealing her inability to let go of those family relationships, despite her father's cruelty and her brother's absence. She clings to the older and more pleasant memories and imagines what other people want her to do or will do for her. She sees Frank as a rescuer, saving her from her domestic situation. Eveline suspends herself between the call of home and the past and the call of new experiences and the future, unable to make a decision.
The threat of repeating her mother's life spurs Eveline's epiphany that she must leave with Frank and embark on a new phase in her life, but this realization is short-lived. She hears a street organ, and when she remembers the street organ that played on the night before her mother's death, Eveline resolves not to repeat her mother's life of "commonplace sacrifices closing in final craziness," but she does exactly that. Like the young boys of "An Encounter" and "Araby," she desires escape, but her reliance on routine and repetition overrides such impulses. On the docks with Frank, away from the familiarity of home, Eveline seeks guidance in the routine habit of prayer. Her action is the first sign that she in fact hasn't made a decision, but instead remains fixed in a circle of indecision. She will keep her lips moving in the safe practice of repetitive prayer rather than join her love on a new and different path. Though Eveline fears that Frank will drown her in their new life, her reliance on everyday rituals is what causes Eveline to freeze and not follow Frank onto the ship.
Eveline's paralysis within an orbit of repetition leaves her a "helpless animal," stripped of human will and emotion. The story does not suggest that Eveline placidly returns home and continues her life, but shows her transformation into an automaton that lacks expression. Eveline, the story suggests, will hover in mindless repetition, on her own, in Dublin. On the docks with Frank, the possibility of living a fully realized life left her.