Textuality » 4A Interacting

GLicata - A Useful Model fo Reflect on Textual Analysis: One Day I Wrote Her Name Upon The Strand
by GLicata - (2011-10-27)
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The sonnet is a part of a collection, indeed the title bears the first line of sonnet. This poem consists of 14 lines and it follows the Petrarchan sonnet model which is arranged in an octave and a sestet.

Considering the title I expect the sonnet deals with a record of a memory indeed the speaking voice uses the past and he starts with ‘’One day’’. He writes in first person.

In the first quatrain the poem deals with a lady’s name the poet wrote upon the beach in a past moment, but the waves deleted the written name.  The speaking voice tries again to write it in vain. The waves wash away the name once more. So in the second quatrain the lady’s voice is introduced  and she says the man is vain, her name will be deleted by tide like her life will finish. The poet can’t make lady’s life  immortal because she is a mortal thing. In the third quatrain the speaking voice appears again and he says the insignificant things have to die, but she will live in the immortal words of his sonnet and in heaven he will write her name to make it eternal and glorious. In the couplet the poet justifies the foregoing, he says their love will live after death when it will be pure and divine.

The sonnet follows a regular rhyme scheme in the 3 quatrains where the poet choose words with the repeated sounds of ‘’m’’, ’’n’’, ‘’p’’, ‘’a’’ and ‘’v’’. The repetition of phonological sounds and inversion in ‘’came the waves’’, ‘’came the tyde’’ suggest the continuous poet’s suffering and pain.  The assonance of ‘’a’’ (came the waves, away, again, came, made my pains his prey, vain, vain essay, decay, name, fame) shows distance between the lady and the speaking voice, the alliteration of ‘’v’’ suggests softness, the tide deletes sweetly the written name upon the beach. The continuous movement of the waves gives the idea of a transformation, the sea changes and this setting choice is a symbol of the change of the 2 lovers’ relationship. The layout isn’t regular, the lines haven’t the same length, so you can think to the waves of sea. In third quatrain the speaking voice says to the lady to leave the things to die in dust, like her name is deleted in dust of the sand.

In the couplet the poet reverses the logical order of words, he nears similar sounds (where, when and shall, all). The death will conquer all things but the poetry make the lady’s name eternal and the speaking voice and lady’s love will live also after the dead world, in the heaven.